I’m still working on a post which tries to explore some of the political science of the recent English riots, but in the meantime I’m struck by the wave of commentary on the riots which positions them as an inter-generational issue. I touched on this in my last post, but only briefly.
And perhaps it’s not surprising that it has taken a little longer to emerge. The older generation, who are generally more blind to this issue (what? us? inter-generational beneficiaries?) include the politicians and media commentators who have more privileged access to the media and were therefore able to construct their preferred narratives more quickly.
The question of what happens when recorded music becomes more or less valueless is a subject I have mentioned a couple of times before (Tony Wilson and others here, Bill Drummond here) . This is a short post to note that Brian Eno has offered some views on this in a recent edition of Prospect. The answers: live music becomes more valuable, as do the non-digital parts of the recorded music package. A couple of brief extracts below the fold.