James Meek offered a different account of the Robin Hood story in his recent London Review of Books lecture at the British Museum. Essentially, he argued that the underlying idea of Robin Hood, the apparently progressive notion that “he takes from the rich to give to the poor,” had been captured by pro-austerity politicians and rewritten as a story about the evils of tax.
Meek’s text has now been published by the paper, along with a recording of the lecture. In this post I’ve improvised a little around his argument before adding some reflections of my own.
The release of The Big Short, which I saw last week, gives me a moment to connect it with another film that bookends the long financial crisis that started in the 1980s. I watched Trading Places again recently 30 years after it was released, and with the benefit of hindsight it seems like a harbinger for the “gilded age” and its less gilded aftermath.