The first modern theorist of the city, Henri Lefebvre, said a couple of things about the city that seem relevant here. I found these in the anthology Restless Cities. First, that to understand the city one must “situate oneself simultaneously inside and outside of it.” And second, that to understand the rhythms of the street, “it is necessary to get outside them, but not completely; be it through illness or a technique.”
A technique, perhaps, like Remote London, an experiential artwork that journeys through the city, and which sets out to unpeel layers of the city by making the familiar strange. It is the latest of a number of “Remote X” events held in different cities in Europe.
Cambridge University Library has a small but perfectly formed exhibition called Lines of Thought running until September to mark the 600th anniversary of its founding in 1416. (The longevity does make you pause a moment.) It draws on elements of their fine collection of books and papers, and is built around six themes: communication, literature, faith, gravity, anatomy and genetics. (There’s a short video explaining more.)
The first books in the library were deposited as security in exchange for loans, underlining how expensive books were in the 15th century.
Walking around the collection was a reminder of how effective books, and paper, have been as a way of transmitting knowledge. Tyndale had to leave the country to get printed his translation of the Bible into English, then an infinitely radical act. The first attempt, in Koln, was raided by the authorities, but he succeed in publishing it in the Netherlands in 1534, and copies were smuggled to England. Tyndale was executed for heresy in 1536, but copies survived–Anne Boleyn owned one. When King James I/VIth commissioned his official translation 70 years later, much of it was taken from Tyndale’s version.
Michael Harris’ The End of Absence is a smart, funny and timely meditation on the differences wrought by digital on how we live and work today, and a world remembered “by those born before 1985, before the surfacing of the Internet.”
Over 10 chapters and 260 pages, 34-year old Canadian journalist Harris (DOB 1981) reflects intriguingly, wittily and sometimes poignantly on his theme. He casts his gaze over the impact of e-mail and digital text, multi-tasking, smart phones, information-overload, public opinion and ‘truth’ online (using illustrations of the plasticity and mutation of ‘facts’ on Wiki), to online bullying (based around the cause, and reaction to, the death of teenager Amanda Todd). There’s also a fascinating chapter on dating and sex sites on a journey that whilst expansive never feels disjointed.
It’s taken some time – a surprisingly long time – but at last we’re seeing a political reaction from Britain’s civil society organisation’s to Edward Snowden’s revelations. Six organisations have launched a campaign that our security laws should be governed by six principles that are closely linked to the principles that underpin our notions of democratic government.
Here’s a second post on digital technology from my contributions to Ogilvy Do.
The revolving door that takes you into my office in London has just been replaced after five months out of action. You needed to push the old doors; the new ones are automatic (and stop the instant you touch them). Sometimes, watching people trying to unlearn their old behaviours and apply new ones, I’ve been wondering if someone in the building is carrying out an experiment to see how quickly people are able to change learned habits in the absence of visual cues.
And this thought was partly prompted by a recent post by Alex Pang on the fad on the invisible interface. As Alex writes:
I think that, when it comes to interacting with the world or with information at a level above randomly waving your arms and legs around, there’s no such thing as an intuitive gesture that could be used by digital devices or wearables to trigger some action.
And he quotes the director and designer Timo Arnall, who has amassed a splendid collection of faddish cuttings on the notion that “the best design is invisible”. (more…)
I’ve been contributing some posts on a digital theme, through The Futures Company, to the Ogilvy.Do blog. Here’s the first of them, on Facebook Home.
There’s an interview in Fast Company with the former CEO of Groupon,Andrew Morton, who was forced out of the company after some disastrous results. About halfway through he tells his interviewer, “the moment a company goes public the conversation shifts from how they’re trying to change the world and the product they’re building to how they’re making money.” Of course: we all want to change the world, but that’s not the reason investors put money into an IPO
But it’s maybe a thought that should be on Mark Zuckerberg’s mind as well these days. Zuckerberg holds onto his belief that Facebook is on a mission to change the world, but the numbers aren’t looking good. It’s hard to avoid the notion that the company’s IPO caught the peak of Facebook sentiment, and the only way is down. The company’s problem is exemplified by its Home phone, previewed this month, and summarised by my Futures Company colleague Chloe Cook as “Essentially, Facebook gets wallpapered over the inside of your phone.” It effectively locks its users in to Facebook, which led the British commentator John Naughton to describe the company as a “pathogen”. (more…)
In the first part of this post, I looked at the impact of the economy, and its business history, on HMV’s collapse. In this second part, I’m going to turn my attention to changes in the music market, the impact of the internet (there’s two stories here, not one), and the business’ strategic reponse.
A version of this post, which I wrote with Victoria Ward and Sabine Jaccaud of the change consultancy Sparknow, is also on The Futures Company blog.
Recently Francine Houben of Mecanoo Architecten talked about their design of Birmingham’s future library as a “living room for the city”. More than just storage, a dynamic space for movement, openness and exchange. In a blog she calls libraries “the cathedrals of our millennia”, which seemed a useful precursor to last Saturday’s National Libraries Day
The future of the library is, in some ways, a paradox.The trends that are running against it are more obvious, especially when combined with the financial pressures facing the British libraries system. But there are a surpring number of trends running in its favour. When you look at them together, the library becomes an object which allows us to have a discussion about the notion of the ‘public’ in the digital age.
Watching the SOPA/PIPA saga unfold from the other side of the Atlantic, it was difficult not to see it as a ‘wave war’, in which companies which grew up in different technology waves compete to set the frame of economic and policy discussion. On the one side, the media companies, creatures of the mass production era that dominated much of the 20th century; on the other, the technology companies that have grown up in the digital wave that followed it. (I wrote about these waves in the Futures Company Futures Perspective report, Technology 2020).
The technology companies seem to be on the right side of the generational wave.
I’ve just finished working on a thought leadership paper, Technology 2020, for The Futures Company with my colleague Andy Stubbings, and we’ve published an extract in the company’s quarterly newsletter, FutureProof (free, but registration required). I’ve republished this as it appears in FutureProof below the fold. In a couple of lines, I draw on Carlota Perez’ view of technology change to argue that we need to understand the ICT revolution as a long wave – following the same pattern as previous dominant technologies – which is nearing the end of its period of dominance. And secondly, that looking at the previous technology waves, it is only now – close to the end of the wave – that we will start to see new business models which will stick.